Frankie J. Pics. and Biography
Hey you gus I usaly do B5 websites . But I really like Frankie J. too so I thought I should do one . So I really hope u enjoy if u would like 4 me too post anything or (and) submite something please e-mail me to
Full Name: Francisco Javier Bautista Jr.

Birthday: December 7, 1979

Astrological Sign: Sagittarius

Birthplace: Tijuana, Mexico

Hometown: San Diego, California

Current Residence: Houston, Texas

Parents: Francisco and Alicia

Siblings: Sisters - Adriana, Ana; Brother - Louie

Children: Frankie Jr. (a.k.a. Lil' Frankie)

Record Label: Latium Entertainment/Columbia Records

Singles: "Don't Wanna Try," "We Still," "On The Floor" (featuring Paul Wall), "Obsession (No Es Amor)" (featuring Baby Bash), "How To Deal, "More Than Words"

- Frankie J. attended Southwest High School.

- He has a total of 7 tattoos.

- He wrote his first song at the age of only 12.

- One of Frankie J.'s backup dancers when he promoted for his "What's A Man To Do?" album was Natalie (part of the Latium Entertainment; hit song - "Goin' Crazy")

- Frankie J. helped Natalie translate her hit song, "Goin' Crazy," into Spanish ("Me Faltas Tu").

- He can play the piano and guitar.
Frankie J
What's A Man To Do?

Blessed with a Love Man's passion and a B Boy swagger, singer/songwriter Frankie J is making his move with a sound both sexy and soulful on What's A Man To Do?, his Columbia Records debut. Featuring songs and production from Frankie as well as Jaime Galvez (KC Porter) and Happy Perez (Mystikal, Master P, Cash Money Millionaires), the album states Frankie's case with a blend of lush R&B, hip-hop infused club tracks and an emotional directness that will touch your heart.

You've already heard Frankie's romantic ways courtesy of the smash single, "Don't Wanna Try," which has taken Rhythm, Top 40, and even A/C by storm. Written and produced by Frankie, "Don't Wanna Try" is a simmering ballad that breaks down the fall of a relationship and cuts to the heart and soul of love with lyrics that are deeply personal, but universal in their scope and appeal. "That song comes from personal experience," says Frankie, "but I know everyone has gone through a similar situation where you realize that the love just isn't there anymore and you know you have to walk away."

Another song that deals with love and relationships is the edgy title track, also written and produced by Frankie, "What's A Man To Do?," a track laced with sexy attitude with Frankie testifying about an affair that's hit a rough patch. "Everyone asks why I write all these sad love songs," Frankie laughs, "but these kind of emotions really ring true and this song, which is about a man being fed up but not knowing if he should give in to temptation, is really honest."

Equally honest and emotional is the lush ballad, "Be Home Soon," which unfolds the story of a couple separated by work and their poignant desire to see each other again. The song is a favorite at Frankie's concerts and he recently has been dedicating it to the soldiers in Iraq and elsewhere. "'Be Home Soon' is a really touching song," he explains.

Of course Frankie has more on his mind than breakups and sorrow. His album is also juiced up with gritty grooves and street informed energy as witnessed by the party ready cut, "Drinks On Me," featuring newcomer Baby Bash.

While What's A Man To Do? might be Frankie's solo debut, it is not the first time audiences have had the opportunity to fall under his vocal spell. A former member of the Grammy-nominated Latin pop group A.B. Quintanilla y Los Kumbia Kings -- whose 1999 debut sold half a million copies -- Frankie has been making music since his teens.

Born In Tijuana, Mexico, Frankie and his family moved to San Diego, California, when he was 2. Both his grandfather and father were musical and as a young child Frankie loved to sing and would often entertain his family. Spanish was Frankie's first language and the first music he was exposed to was the rhythmic sounds of his native land such as Cumbias Rancheras and Bandas. "Spanish music and the language is really my roots," Frankie offers, "but I also listened to the same stuff other kids liked like Run DMC, Kurtis Blow, the Fat Boys and Michael Jackson. When I was 8 I was really into Michael Jackson and breaking, and as I got older I was really into artists like Brian McKnight, Stevie Wonder and K-Ci and Jo Jo. You know, the real honest R&B."

Encouraged by his family, Frankie began to develop more of an interest in singing and by the time he was in high school he'd begun participating in talent shows and performing at school functions, which was his first taste of what it's like to sing in front of an audience. The experience thrilled him and motivated him to pursue music seriously. So seriously that, by the time Frankie was 15, he was signed as a Latin Freestyle artist by a small dance music label in Canada.

Frankie recorded a few singles and his energetic sound garnered a small following and soon bigger labels came knocking. In 1997 Frankie signed with the now defunct Hola Recordings, the brain-child of dance music legend and producer Jellybean Benitez. Unfortunately for Frankie, his album never saw the light of day and in 1999 he left Hola to join the already established Latin pop group Los Kumbia Kings. Sharing lead vocal duties with another singer, Frankie would perform the group's English language songs, wrote many of their more R&B influenced hits, toured, and performed with the popular act for three and half years. Frankie appeared on television, sang at the Billboard Latin Music Awards and traveled the world. "It was an amazing experience, but I knew that in my heart I wanted to do my own material and being in a group made that impossible."

The desire to make it on his own motivated Frankie to leave the Grammy-nominated group and test the waters as a solo artist. Frankie entered the studio in the winter of 2003 and completed What's A Man To Do?, his solo debut, in a month. Soon his single, "Don't Wanna Try," began to create a buzz at radio, retail, and video outlets. For this talented young artist, the affirmation of his efforts was a dream come true, "This is what I've always wanted to do and to have people like it is wonderful."

Asked what he wants fans to hear when they check out What's A Man To Do?, Frankie replies, "The truth behind somebody's life. My songs are all very real and in many ways I worked out a lot of the stress and emotions of my own life through my music. I deal in situations that are close to the heart and I know that things like that are timeless." A voice with a universal message, Frankie will surely reach the hearts and souls of many with What's a Man To Do?, his highly anticipated solo debut album.
-~-~_Frankie J._~-~-

Crossing the cultural line to earn success in both pop and urban music isn't new. 'N SYNC's Justin Timberlake broke through the barrier with ease, and Japan's Toshi Kubota is earning props for his neo-soul sound. So now, according to Columbia recording artist Frankie J, it's time for Latinos to get some love on the R&B charts, too.
"As far as my career goes, I'm hoping to cover that gap. I'm willing to go the distance and do what I need to do to fulfill my dream of performing R&B music in both languages. It's difficult, but it'll happen." the 26-year-old Mexican native says from the lobby of the Radisson Hotel on Northwest Highway. He stopped in Dallas to promote The One, his second solo release in English, which dropped last month.
From the look of things, Frankie J is well on his way. The One is No. 3 on Billboard's R&B albums chart. The first single, the earnest love jam "Obsession (No Es Amor)," featuring Latino rapper Baby Bash in the hook, is No. 5 on Billboard's Hot Latin Tracks and No. 4 on Pop 100 Airplay charts.
Popularity hasn't always come easy. His solo debut, 2003's What's a Man To Do?, ended a four-year run with the Kumbia Kings, a group led by the late singer Selena's brother, A.B. Quintanilla.
The album spawned a hit single and video for the melancholy "Don't Wanna Try." But his venture onto the urban landscape left many in the Latino community believing he was a sell-out. Frankie J acknowledges that his family embraced traditional Latin music in their San Diego home. His father sung lead in a band while his grandfather was a church violinist. But he says he always listened to pop and R&B. He explains that it was about following his heart, not flipping the script.
"It was more of a relief for me and a challenge, but it was kind of a shock to a lot of the fans that I ventured off into something totally different. They definitely were saying that I should stick to my roots, but if you know English and you know Spanish, why not do both?"
Frankie J also believes that his success can only open doors for other struggling Latin artists.
"I think there are a lot of us out there, but we haven't been fully marketed as far as the urban industry goes. It's a challenge, because in the English-speaking market, we're automatically categorized as Latin artists; the perception is we should be doing Spanish music, we shouldn't be doing anything else outside of our genre.
"But there's artists like Fat Joe, who's Puerto Rican and doing his thing, and so is Jennifer Lopez ... they just happened to be at the right place at the right time."
Frankie J is confident that The One will squash doubts about his ability to create meaningful R&B. It features production work from Mario Winans, Irv Gotti, Brian Michael Cox and Happy Perez, who also produced 2003's hit with Baby Bash, "Suga Suga."
"My first album was gold; I did a lot of production on it, which was great, but it's best to collaborate with other writers, producers and artists. I'm still very involved in the production and the writing, in singing the songs the way I want to sing them; it's all me, it's real. I'm not a puppet at all."
Outside its title track, Frankie J admits to relating most closely to its second single, "How To Deal," which details the struggle to maintain a serious relationship in the music biz, a constant dilemma for the Houston-based singer, who's a single dad with a 4-year-old son. "The song is from personal experience. I'm a studio rat, so I'm constantly on the go. It's just very hard, because as a musician, you travel so much, you're constantly on the road and don't really have time for anything else."
And he's just getting started; with a 50-city tour in the works, plus plans for going overseas, Frankie J will be working nonstop to spread his Latin-flavored R&B worldwide.
"A lot of the fans that I lost when I left the group are now starting to understand where I'm coming from and are returning to me, so my following is getting bigger and bigger." He says with a broad grin, "I can't wait to get on the road, and like they say, do the damn thing and get it out there."

Frankie J
The One
Many singers claim Michael Jackson as an inspiration, and have their kid-size sparkly gloves in frames to prove it. Frankie J may be one of those artists who started his performing career in his parent's living room singing along to Thriller, but, even then, Frankie put his own spin on the proceedings. When Frankie's family got together for the holidays, they would clear the furniture out of the room so that he could get down unhampered. "I did 'Billie Jean.' That was the song that Michael Jackson used to introduce the moonwalk to the world," says Frankie J. "My family would always give me a sombrero because, on television, Michael flings a hat into the crowd, and then he starts to moonwalk. I did the same thing he did, I threw the sombrero in the air, and then I would moonwalk. I was six years old."
The odd combination of a sombrero and Michael Jackson moves was an appropriate prelude to Frankie's performing career. Years after his preteen living room MJ impersonations, Frankie J made his mark with a four year stint with the multi-platinum Mexican-American group, Kumbia Kings, before returning to his R&B roots with What's A Man To Do?, his 2003 debut solo album. Frankie's debut album spawned the bittersweet chart-topper "Don't Wanna Try," whose video was in heavy rotation on MTV's TRL.
Now, two years after his solo debut and fresh off his hit collaboration with rapper Baby Bash, "Suga Suga," Frankie J builds on that momentum on The One, his eagerly-awaited second solo album, which more than delivers on the promise of What's A Man To Do? Frankie's new album is pure unadulterated R&B, perfectly patterned for slow dancing with a special someone, immaculately tailored for the dance-floors of clubland, and dreamily suited for long, late, and lonely nights. Despite the man's Latino heart-throb pedigree, do not file The One under "Latin Pop."
With The One, Frankie J emerges as a serious neo-soul/pop contender; his sensuous falsetto putting him in the same general categories as Usher and Justin Timberlake. And -though Frankie J's not wearing a sombrero these days, he still adds seamless Spanglish flourishes to his music. The album's first single, "Obsession (No Es Amor)," produced by Happy Perez, is a case in point: its serpentine guitar-laced rhythm and sensual bass line, combined with Frankie's soaring vocals, communicate the mixed emotions associated with a romance that's crossing the line into dangerous territory. The song is a deft remake of a hit by the bachata group Aventura, which while packing all the wallop of the original, translates its spirit for an English-speaking audience.
Born Francisco Javier Bautista in Tijuana, Mexico, Frankie J has spent his life moving between his Latino roots and his American surroundings. When Frankie was 2 years old, his uncle took him and his siblings north across the border dressed up to trick or treat. The family never returned to Tijuana, and Frankie grew up in San Diego listening to the ballads and boleros that his traditional Mexican family loved and the soul music to which he was drawn. There was music running through Frankie's family, his father was the lead singer of a band, and his grandfather played violin for the local church. When Frankie got a little older, he began listening to freestyle, including acts like Lisa Lisa and Brenda K. Starr, but especially dance-pop freestyle singer George Lamond, whose airborne vocal style inspired Frankie to develop his own voice and unique sound.
"Usually guys don't have high falsettos, and I admired George Lamond because I wanted to sing that way," Frankie says. "I would always practice to his songs, and my pitch would always reach up to his level or even higher." Frankie began writing songs in high school, and when he was just 15, was introduced by a friend to the CEO of an independent Canadian record label that specialized in freestyle. The CEO heard his music and offered him a deal. "I was like a little kid in a candy store," says Frankie. "I was thrilled that this guy had heard my song." He recorded a few songs under the moniker Frankie Boy, and though that early deal didn't lead to fame and fortune, it did teach Frankie J a few things. "The biggest thing I learned was," he says today, "always read the contract before you sign it."
After he finished high school, Frankie heard about an opportunity to join the Kumbia Kings, and went to Texas to audition. He was selected for the group, and spent the next four years with the massively successful Kumbia Kings, led by A.B. Quintanilla, the brother of legendary singer Selena. "Once we played a show in Monterrey, Mexico, for 100,000 people," Frankie remembers. "It was incredible."
But while Frankie enjoyed sharing in the success of the Kumbia Kings, he was always working towards a solo career, inspired by artists like Brian McKnight, K-Ci and Jo Jo, Stevie Wonder and Prince. "I got involved in the group to learn about the business, to learn about being on the road, and then to branch off with that information," he says.
Though leaving the Kumbia Kings was a risky move for Frankie J, the gamble paid off with What's A Man To Do? and is compounding maximum interest on The One. Frankie J is particularly excited about The One's title track produced by Hollis hitmaker Irv Gotti (Ja Rule, Ashanti, DMX, Murder Inc.) with its intoxicating melody and subtle touches of percussion. "The minute I heard it I knew," Frankie confesses, "it was something magical."
The One showcases Frankie as a maturing songwriter while its production highlights increasingly nuanced arrangements. "The Story of My Life," for example, is a subtle ballad, spun from a delicate guitar melody and attenuated finger-snapping, with Frankie J lamenting the inevitability, and universality, of hard times.
"Most of the time," says Frankie, "I write from personal experience. When I don't, it's like acting, taking on a role in a movie." Another of his favorite tracks on the album is the sweetly seductive "Number One Fan," which was inspired by a special someone in Frankie's life. "It talks about being in love with a girl and treating her as a star, and you're the groupie that's with the girl. Telling her that you want to get her autograph." Having spent years in the limelight, Frankie J turns the tables with "Number One Fan."
On The One, Frankie J collaborates with a variety of heavy hitters including the legendary Mario Winans who's crafted hits for Whitney Houston, Mary J. Blige and Brian McKnight, among others on the striking "Just Can't Say It's Love." Hot producer Brian Michael Cox who's worked with Usher, Jagged Edge, and Nivea, to name a few worked with Frankie on three dazzling tracks on the album, including the tantalizing club jam, "On The Floor."
Frankie J is feeling confident about The One and his collaborations with heavy hitters like Irv Gotti, Happy Perez, and Brian Michael Cox. "R&B music has always been in my heart," Frankie says. "People would always doubt me and say, 'You're Mexican, you don't have the soul to make it.' But soul is just soul, whatever the ethnic background. I think the music speaks for itself."
Okay I really hope u liked it . Well thanxs 4 coming if u have thing u would like to add please e-mail me to . I will give u creadit . Thanxz . ajay-mari
hey you gase just lettin you know i changed my name No they havent stole the site ! AGAIN ! like last time ! lol

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